Enrolled in the Leech Lake Band of Ojibwe, Tall Paul grew in Minneapolis, listening to hip-hop and catching episodes of 106 & Park on BET. He started rapping as a teen but his music suddenly went viral when he incorporated the Ojibwe language into the lyrics of “Prayers in a Song.” Here’s Britt Aamodt with the story.
Jayanthi Kyle and Wes Burdine from the group Gospel Machine were finishing the lyrics and melody of a new song hours before Kyle had to premier it outside the Government Center in Minneapolis. In this segment, Britt Aamodt examines how their song, “Hand in Hand,” became the unofficial anthem of Black Lives Matter – Minneapolis.
If you took accordion lessons in Duluth between the 1950s and ‘70s, you probably had John Copiskey as a teacher. And if Copiskey was your teacher, then you probably played on a Duluth Accordionaires album. Britt Aamodt shares the story of a music teacher, his students and their new accordion sound.
In 1985, the union workers at the Hormel plant in Austin, Minnesota, went on strike. When they did, Minnesota’s musicians rallied behind them. Britt Aamodt takes a listen to the benefit album Boycott Hormel: Live from Austin.
In the 1990s, Venus de Mars was the goddess of Minneapolis dark glam with her group All the Pretty Horses. Today, she is an icon. Britt Aamodt takes a look at how a musical rebel became a trailblazer for transgender artists.
Tou SaiKo Lee is a man of words. He’s a poet, spoken word artist and hip hop emcee. Britt Aamodt tells the story of how Lee married his Hmong heritage with a hip-hop beat in the group Delicious Venom.
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The Qeej: Instrument of Celebration and Afterlife Journeys
The ancient Hmong culture developed a number of musical instruments. Britt Aamodt looks at the qeej, an instrument whose tradition that is kept alive and celebrated by St. Paul’s Hmong community.
Cornbread Harris was a Minneapolis pianist noodling around with a song recorded by the Count Basie Orchestra. Augie Garcia was a guitarist from St. Paul, who started improvising lyrics over Cornbread’s piano. Britt Aamodt tells how together the two came up with Minnesota’s first recorded rock-n-roll single.
Bruce Swedien set up his first recording studio in his parents’ basement in Minneapolis. But he’s best known for his work with Michael Jackson. Britt Aamodt looks back at 1982 and Swedien’s contribution to “Billie Jean”, the breakout track from Thriller, still the best-selling album of all time.
How does a kid go from being a coffee shop guitarist to City Pages’ best new music act of the Twin Cities? Britt Aamodt unravels the legend of Thomas Abban and his 2017 album A Sheik’s Legacy.
The Wallets were a band in 1980s Minneapolis known for their high-energy jams and theatric performances. Producer Daniel Zamzow describes how in one of their earlier shows at Jay’s Longhorn Bar, the band attempted a prank that didn’t go as planned.
